Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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ROELAS, Juan de las
Adoration of the Name of Jesus

ID: 43667

ROELAS, Juan de las Adoration of the Name of Jesus
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ROELAS, Juan de las Adoration of the Name of Jesus


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ROELAS, Juan de las

Spanish painter (c. 1560-1625).   Related Paintings of ROELAS, Juan de las :. | The Entombment (detail) fg | Madame Recamier | nelsons mor tar ett gripande farval av sonen innan han gar till sjoss enligt konstnaren | Guillbert de Lannoy presenting his book L-Instruction d-un jeune prince to Charles the Bold in a garden | Daubigny's Garden (nn04) |
Related Artists:
Paul Ranson
French Nabi Painter, 1864-1909 French painter and designer. The son of a successful local politician, Ranson was encouraged from the outset in his artistic ambitions. He studied at the Ecoles des Arts D?coratifs in Limoges and Paris but transferred in 1886 to the Acad?mie Julian. There he met Paul S?rusier and in 1888 became one of the original members of the group known as the NABIS. From 1890 onwards, Ranson and his wife France hosted Saturday afternoon meetings of the Nabis in their apartment in the Boulevard du Montparnasse, jokingly referred to as 'Le Temple'. Ranson acted as linchpin for the sometimes dispersed group. Noted for his enthusiasm and wit and for his keen interests in philosophy, theosophy and theatre, he brought an element of esoteric ritual to their activities. For example he introduced the secret Nabi language and the nicknames used familiarly within the group.
George Brandriff
1890-1936
Eunice Pinney
American Folk Artist, 1770-1849 She was a self-taught artist who, from about 1809 to 1826, devoted part of her time to producing a wide range of subjects in watercolour: landscape, genre, historical, biblical, allegorical and literary. Her distinctive style is solid and robust, with a strong sense of contrast and design. Problems in creating realistic form are apparent: faces are largely expressionless, and figures are stocky and two-dimensional. However, these difficulties are compensated for by fresh vigorous colour, bold pattern, artful composition and varied subject-matter. Pinney displayed the primitive artist's tendency to borrow and model from the best sources at hand: The Cotter's Saturday Night






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